To the Wonder (2012)


NEW RELEASE FILM REVIEW || Director/Writer Terrence Malick | Cinematographer Emmanuel Lubezki | Starring Olga Kurylenko, Ben Affleck, Rachel McAdams | Length 112 minutes | Seen at Cineworld Haymarket, London, Sunday 24 February 2013 || My Rating 4 stars excellent


© Magnolia Pictures

I think it’s fairly well understood that Malick’s films are an acquired taste, especially the more recent ones. After The Tree of Life (2011) — which on balance I was not a huge fan of — comes this new film, and both of them (more than previous Malick films) eschew traditional scenes of dialogue, often cutting away before someone speaks or cutting to them just after it seems as if they’ve spoken. On the rare occasions when characters are shown speaking, the sound is generally faded out before they finish, let alone any response is given. Swift editing imbricates flashes of future and past time, an impressionistic bricolage of images. Which all goes to make it a film of fleeting experiences, of connections made at a level other than speech. Of course, there’s still the poetic voiceover, this time primarily in French (also Spanish and Italian, and very little English), which perhaps makes the tone of it less intrusive to English-speaking audiences than it can seem in such films as The Thin Red Line (1999, my personal favourite of Malick’s films). But you wouldn’t expect a Malickian voiceover to explain anything: it remains at the level of laconic, gnomic utterances.

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