Charlie’s Angels (2019)

Look, nobody’s claiming this is a masterpiece. Indeed, the superspy action genre is pretty threadbare as it goes, but it generally provides fun thrills, and those are here too. It got a critical kicking, and for some reason loads of people really disliked it, but maybe I’m just a big fan of Kristen Stewart? I don’t know, but I liked this. I watched it a second time on a plane, which seems like its more natural home, so maybe it’ll do better on TV.


Well, I genuinely don’t understand what people have so taken against this film for. It’s forgettable of course, following as it does a sort of by-numbers genre playbook involving wealthy guys, fabulously complicated technology with the proviso that [whatever it is or does] can be subverted for the gain of bad guys who want to destroy the world, fast cars, jokes about fast cars driven furiously, chase sequences, stuff being blown up, and espionage intrigue involving gadgets. So far, so boilerplate. The action sequences are also all perfectly competently put together; I’ve certainly seen worse fight choreography in Marvel movies. But you’ve also got Kristen Stewart flirting with everyone and being generally brilliant fun (and funny!), sporting a great haircut, and such an array of fantastic outfits that just for that you’ve redeemed your price of admission. The other two women in the team are largely unknown (to me anyway), but I liked them, especially the dorky (but obviously still glamorous) scientist type played by Ella Balinska, and I even suspended my disbelief during the fight sequences against heavily tattooed Eurotrash heavies. What the film has, though, is a sense of fun and a cutting sense of self-deprecation about what it’s doing — plus it has sub-plots which show a basic care for other people in need, and it tips its head (very lightly) towards a more inclusive, diverse feminism — but for all that it’s still really just about Kristen Stewart looking hot and being great, and I am always here for that. This film should have been a big hit.

Charlie's Angels film posterCREDITS
Director/Writer Elizabeth Banks; Cinematographer Bill Pope; Starring Kristen Stewart, Naomi Scott, Ella Balinska, Elizabeth Banks, Sam Claflin, Noah Centineo, Patrick Stewart; Length 119 minutes.
Seen at Odeon Tottenham Court Road, London, Tuesday 3 December 2019 (and again in-flight from Singapore to London, Friday 13 March 2020).

Green Room (2015)

I haven’t been writing as many reviews recently, though I’ve been going to every bit as many films. Just one of those fallow periods I guess. There are still interesting movies coming out, though, and one that may have got missed in the glut of fine films is Jeremy Saulnier’s follow-up to Blue Ruin. Aside from the colour-themed titles (which inflect each film’s respective cinematographic palette), the two films are linked by Saulnier’s reliance on mining genre conventions — in this case, he’s set up a tense thriller format in which our heroes, an anarchist punk band, gets trapped in a cabin in the woods by a bunch of neo-Nazi skinheads. I’ve seen it called a horror film and perhaps those more familiar with that genre will find things in common, but to me there’s a lack of horror to the way the story is set out (though there’s plenty of tension). Sure, when things get going, the gore does properly fly, but the curious thing to me is the almost matter-of-fact way it’s presented. All the actors, even the ones playing the skinheads (led by Patrick Stewart), have a human quality, almost as if they all want the best for the situation even if their personal ideologies are inflected by hate (being set in the Oregon backwoods, so beloved of libertarians and survivalists, there’s a notable lack of any people of colour, so racism never really comes into play). It somewhat complicates the genre trappings not to have anyone to actively hate, and when our punk band get into the action, their violence is every bit as nasty as that inflicted on them. I suppose that makes it a film in which nobody wins, which perhaps accounts for the tone of the ending, but in any case it’s another strong cinematic outing for Saulnier.

Green Room film posterCREDITS
Director/Writer Jeremy Saulnier; Cinematographer Sean Porter; Starring Anton Yelchin, Imogen Poots, Alia Shawkat, Macon Blair, Patrick Stewart; Length 95 minutes.
Seen at Curzon Soho, London, Thursday 19 May 2016.