I think there are a lot of opinions one could hold about the films of Paul Schrader as about the art of Yukio Mishima, and though I’ve read a novel of his and enjoyed it at the level of writing, you don’t have to dig very deep into his life to get profoundly concerned. He’s the kind of man who would probably in our modern age have connected far more readily with the army he was looking for, and perhaps we can be glad of the times he lived in that this didn’t happen. He wanted to roll back post-war changes in Japanese society that he detested and restore Japan to its rightful place of honour, or something along those lines. And Schrader’s own work has been so boldly sadomasochistic and masculinist at times that it feels that matching the two might make for discomfort, and yes it’s certainly not easy to watch this story, either as a character study of a man fixated on honour and death, but also at a formal level it can be challenging to follow. After all, as the title suggests, it’s split into four chapters but is further fractured by various re-enactments of his works (shot in luridly saturated colours) as well as flashbacks in black-and-white to foundational moments in Mishima’s development, as played by Ken Ogata. Still, it remains a beautiful work, with gorgeous lighting and framing and a transcendent Philip Glass score which for a change doesn’t overwhelm the film (mainly because the filmmaking has a strong enough visual look and narrative structure to withstand Glass’s hammering and repetitive musical cadences). I will surely never feel any kinship with Mishima’s ideas but the film does give a visceral sense of his strange relationship to his society, and the fact that this is made by an American creates a strange thematic connection to some other contemporary titles in the Criterion Collection, like The Ice Storm (a quintessential suburban white American story as told by a Taiwanese filmmaker) or The Last Emperor (in which Chinese political history is interpreted by an Italian).
FILM REVIEW: Criterion Collection
Director Paul Schrader; Writers Leonard Schrader and Paul Schrader; Cinematographer John Bailey; Starring Ken Ogata 緒形明伸; Length 120 minutes.
Seen at home (Blu-ray), Wellington, Tuesday 25 May 2021.