While a number of post-independence films in Africa have focused on specific issues related to colonialism and development across the region, a number of filmmakers instead turned to pre-colonial stories of traditional life, perhaps to recall what had been lost, or else highlighting the powerful continuity of traditions that can be recognised even in a continent reconfigured with enforced new religions and political leadership. The Royal Belgian Film Archive has led on a new restoration of the Burkina Faso film Wênd Kûuni, which showed at this year’s Il Cinema Ritrovato festival.
Although made in Burkina Faso (known as Upper Volta when the film was made), this is set before the coming of Europeans, in a dusty and sun-drenched village. It moves at a gentle pace, as first we hear of a woman whose husband has disappeared, and then we see an abandoned child (Serge Yanogo), apparently mute, taken to a local village by a passing traveller. The villagers look after him as he grows, naming him ‘God’s Gift’ (Wênd Kûuni). The narrative, such as it is, involves his backstory, finding out where he comes from (which brings in local folk narratives, witchcraft and a rather brutal expulsion). However, it also suggests a time when such lives could be lived without the greater threat of the destabilisation created by the outside world, of a lost culture that no longer existed in Burkina Faso.
Director/Writer Gaston Kaboré; Cinematographers Issaka Thiombiano and Sékou Ouedraogo; Starring Serge Yanogo, Rosine Yanogo; Length 75 minutes.
Seen at Cinema Lumière (Sala Scorsese), Bologna, Saturday 29 June 2019.