LFF: Jayuui Eondeok (Hill of Freedom, 2014)

BFI London Film Festival FILM FESTIVAL FILM REVIEW: London Film Festival || Seen at ICA, London, Wednesday 8 October 2014 || My Rating 3 stars good


© Jeonwonsa Film

When an acclaimed ‘world cinema’ director makes their English-language debut, it’s usually that familiar route, by filming in an English-speaking country, or getting some more bankable English-language star as the lead. Prolific Korean director Hong Sang-soo, however, may not perhaps be making the sort of films that attract interest from English-language producers, but he certainly isn’t the sort to do things in the customary way. Therefore, like last year’s Our Sunhi, what we have here is another entry in Hong’s increasingly familiar style, a sort of casual comedy of manners, still set in Korea, but with a Japanese protagonist (Ryo Kase as Mori) who doesn’t speak the local language, thus requiring most interactions to be in English. The setup is that Mori is in the country looking for an old flame, Kwon, but the framing story is her returning to find a bundle of letters from him, narrating his quest and his affair with a waitress called Youngsun (Moon So-ri). At some point near the start, Kwon drops the letters, so the scenes — flashbacks prompted by Mori’s words — come out of order. It’s all fairly slight as a setup, and indeed the running time is a very laconic 66 minutes, but there’s plenty of genuine humour, prompted by the second-language misunderstandings, the array of colourful smaller characters (including a hipster-ish Westerner), and the ersatz shooting style with its periodic zoom shots at moments of disquiet or confusion. Hong is certainly building up a persuasive body of work about feckless students and impulsive relationships, not to mention frequent scenes of drunkenness over restaurant tables, and it all serves to pass the time very agreeably.

CREDITS || Director/Writer Hong Sang-soo | Cinematographer Park Hong-yeol | Starring Ryo Kase, Moon So-ri | Length 66 minutes

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Like Someone in Love (2012)


NEW RELEASE FILM REVIEW || Director/Writer Abbas Kiarostami | Cinematographer Katsumi Yanagijima | Starring Rin Takanashi, Tadashi Okuno, Ryō Kase | Length 110 minutes | Seen at ICA, London, Tuesday 25 June 2013 || My Rating 3.5 stars very good


© Sundance Selects

Lately, I seem to walk as though I had wings
Bump into things like someone in love

The title of this film comes from an old jazz standard. If it’s a hint as to why the characters in the film act the way they do, it’s no more than just a hint. I’d call this latest film by Iranian director/auteur Abbas Kiarostami inscrutable if it weren’t for the overtones of orientalist cliché in such a term, yet surely few modern directors have crafted an oeuvre of such opacity as Kiarostami. Perhaps then this move to Japan for the setting of his latest film isn’t so far-fetched, though I can’t honestly pretend to any great fluency with either Iranian or Japanese culture; I sometimes feel lost dealing with etiquette and mores even in my own corner of the world.

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