Sud pralad (Tropical Malady, 2004)


SPECIAL SCREENING FILM REVIEW || Director/Writer Apichatpong Weerasethakul | Cinematographers Jarin Pengpanitch, Vichit Tanapanitch and Jean-Louis Vialard | Starring Sakda Kaewbuadee, Banlop Lomnoi | Length 125 minutes | Seen at Institute of Contemporary Arts, London, Sunday 24 October 2004 and Sunday 28 April 2013 || My Rating 2 stars worth seeing


© ICA Projects

There is no doubting that Tropical Malady is a strange film. It is perplexing and operates in registers that few films do, and thinking back on it I really want to like it for what it does, and for being so resolutely unlike other films. It is a film that pushes at the boundaries of what being human means, and what separates us from animals, but it does so in a demandingly oblique way, so much so that I’d actually seen the film nine years earlier but could not remember it at all (though that may just be my own memory being terrible).

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