I like a noir, and I like a good American B-picture, because there’s an underlying desire to just get on with the story that’s almost refreshing. Here we get Nick (Richard Conte), back from the war to find his old man in a wheelchair thanks to some nefarious dealings with a San Francisco produce dealer, Mike Figlia (Lee Cobb). And so Nick gets on the road with his dad’s friend to haul apples to Frisco and settle some scores, which leads him to prostitute-with-a-heart Rica (Valentina Cortese, who died only earlier this year, as it happens). The pugnacious setup all feels fairly familiar, but the details about the fruit market and the bitter competition for prices is a nice twist that keeps things fresh, as we get a sense of the corruption and backstabbing that goes on to get to the top of the business world (I never knew such profits could be made on a Golden Delicious). There’s a straightforward charm to it, with the requisite pools of noirish darkness in the black-and-white lensing, some striking camera setups, and hard-nosed performances.
- Director Jules Dassin speaks about the film over 50 years later (like Cortese, he lived into his 90s), fondly recalling details like the actor who zips up his jacket when he sees a man burned alive, or looking misty-eyed about Valentina Cortese.
- There’s a four-minute snippet of the (at the time) under-production documentary about the life of screenwriter “Buzz” Bezzerides, of which further snippets are on the Criterion release of another Bezzerides script, Kiss Me Deadly (1955).
- The original trailer is included, and of course a classic American pulpy trailer can be a wonderful thing. It obviously makes everything sound so much more lascivious than it really is, but it has its charms.
FILM REVIEW: Criterion Collection
Director Jules Dassin; Writer A.I. Bezzerides (based on his novel Thieves’ Market); Cinematographer Norbert Brodine; Starring Richard Conte, Valentina Cortese, Lee J. Cobb; Length 94 minutes.
Seen at home (DVD), London, Thursday 31 October 2019.