I saw this as the closing film of London’s Sci-Fi Film Festival in May, and I was hoping to write about it earlier, but what I can say, it took me some time to come to terms with what must surely rank as the silliest film I’ve seen in the last year. There is quite a lot to enjoy in the film, especially at the level of set design, special effects and cinematography. Sadly this doesn’t extend to the script, with its ridiculously improbable physics and reliance on creaky plot devices that would have seemed cliched in a romantic movie of a hundred years ago and which lack the classic timelessness that perhaps the writer/director hoped for. It probably doesn’t help that the young leads — an English actor with whose work I was not previously familiar, and the perky Kirsten Dunst — don’t really have the charisma to make these lovers fully believable. However, the chief issue is also the central premise of the film: that there are two planets so closely interrelated that buildings can be constructed between the two, but between which characters are not allowed to travel (it’s the classic upstairs-downstairs class-based scenario). In some ways it’s a productive metaphor, this idea that different classes literally live on different planets which are nevertheless so close that they can be seen from one another. The two central characters thus only meet because they’ve managed to find a secretive mountaintop that brings them almost within touching distance — a mountaintop, it must be said, that only they appear to know about and which they seem to be able to reach at very short notice. And then there’s the way the gravitational pull of each planet exerts itself only over those who are from that place, along with an extra kicker that you gradually burn up the longer you spend away from your home, meaning our male protagonist must weight himself down in order to visit his beloved on her planet and can only be with her for a short time. Oh and the writer has added a bit of selective amnesia for the heroine. The more one thinks about these plot manipulations, the more one’s head hurts, but it’s never really possible to overlook them or excuse their stupidity, no matter how compelling the film can be in other respects. A noble failure, then, perhaps.
CREDITS || Director/Writer Juan Diego Solanas | Cinematographer Pierre Gill | Starring Jim Sturgess, Kirsten Dunst, Timothy Spall | Length 107 minutes