Criterion Sunday 240: 麦秋 Bakushu (Early Summer, 1951)

Setsuko Hara always has a way to just smile and smile and smile and break your heart, but maybe that’s also innate in Ozu’s filmmaking too, the way he picks apart these delicate domestic stories to find the hurt and conflict within. She’s being pestered by her family to marry as she’s reaching the grand old age of 28, and there’s a sense in which you wonder whether she’s just settling for someone, or reacting to them, or whether even all this talk isn’t out of step with the times. After all, there’s a lot of play around the generational gaps, about post-war Japan’s youth not adopting the same values as their parents and grandparents’ generations, and that all seems to play out here. For me, it’s one of Ozu’s very finest films, and Hara is just such a watchable actor.


FILM REVIEW: Criterion Collection
Director Yasujiro Ozu 小津安二郎; Writers Kogo Noda 野田高梧 and Ozu; Cinematographer Yuharu Atsuta 厚田雄春; Starring Setsuko Hara 原節子, Chishu Ryu 笠智衆; Length 125 minutes.

Seen at home (DVD), London, Sunday 24 February 2019.

Criterion Sunday 217: 東京物語 Tokyo Monogatari (Tokyo Story, 1953)

Oh sure, yes, it is deliberately paced, as so many Ozu films are, but for all its acclaim (it used to regularly show up on best-ever lists, and I think it still does), it is one of those films that really does deliver. I’m not even personally very good at communicating with my family sometimes, but I still get all up in my feelings whenever I see the way all these grown children act atrociously towards their elderly parents, who are visiting Tokyo from the countryside. Obviously Ozu is, to an extent, commenting on modern society, and we get interstitial shots of trains and built-up urban areas, but none of that is particularly forced, and this works very well too on simply an emotional level — what it means to get older, the responsibilities you continue to have to family, showing respect for the elderly. Only Setsuko Hara’s character (the daughter-in-law) seems to make much of an effort, and the way she radiantly smiles at the camera even when she’s clearly upset just seems to make it all the more poignant.


FILM REVIEW: Criterion Collection
Director Yasujiro Ozu; Writers Ozu and Kogo Noda 野田高梧; Cinematographer Yuharu Atsuta 厚田雄春; Starring Chishu Ryu 笠智衆, Chieko Higashiyama 東山千栄子, Setsuko Hara 原節子; Length 136 minutes.

Seen at Victoria University, Wellington, Monday 27 April 1998 (and earlier on VHS at home, Wellington, April 1997, and most recently on DVD at a friend’s home, London, Sunday 27 May 2018).