My first day of four films was day five of the festival, which I started with an archive screening of a new restoration of Bob Fosse’s Sweet Charity, with an alternative ending sequence thrown in at the end (wisely ditched from the original film in my opinion), then a new British film introduced by its director, a Tunisian-French co-production with a star more familiar with French cinema, and finally the last screening of Rose Plays Julie, part of the official competition, and a striking Irish film which bristles with technical sophistication.
To call this film gentle would probably be an insult to gentility, but sometimes that’s all that you want as a viewer. It’s a story of a love affair between two 80-somethings played by Shirley Maclaine and Christopher Plummer, after they’re moved into adjoining apartments by their fussy children (Marcia Gay Harden and Scott Bakula respectively). The character arcs — whereby Elsa is the sparky vibrant one who has a love of the film La dolce vita, and who coaxes Fred out of his shell — would be tiresome if the actors were a third their age, but you don’t see too many films about love amongst the elderly, so it’s nice to know the actors can still get work. Both have an easy charm, and the director keeps things firmly middle-of-the-road, avoiding the worst excesses of sentimentality (until the finale at least). Easy to forget, but hard to really take too vociferously against.
Director Michael Radford; Writers Radford and Anna Pavignano (based on the film Elsa y Fred written by Marcos Carnevale, Marcela Guerty and Lily Ann Martin); Cinematographer Michael McDonough; Starring Shirley Maclaine, Christopher Plummer, Marcia Gay Harden, Scott Bakula, Chris Noth; Length 94 minutes.
Seen at home (DVD), London, Tuesday 30 June 2015.
NEW RELEASE FILM REVIEW || Director Richard Linklater | Writers Skip Hollandsworth and Richard Linklater (based on Hollandsworth’s article “Midnight in the Garden of East Texas”) | Cinematographer Dick Pope | Starring Jack Black, Matthew McConaughey, Shirley MacLaine | Length 99 minutes | Seen at Cineworld Shaftesbury Avenue, London, Saturday 27 April 2013 || My Rating a must-see
I am, it must be said, really quite excitedly looking forward to Richard Linklater’s Before Midnight (2013), given how much I loved its predecessor Before Sunset (2004). So the appearance of this film of his made some years ago and only now getting a belated release in the UK — a film the existence of which I was hitherto entirely unaware of — seemed to hold out the prospect of some minor distraction in the wait. I was therefore slightly taken aback by just how good Bernie has turned out to be.