Nie yin niang (The Assassin, 2015)

Hou Hsiao-Hsien makes slow films. I’m still fairly certain that the most walk-outs I’ve ever experienced from a film screening was when I went to see his magisterial Flowers of Shanghai (1998) when it screened for the first time at my local film festival (about half the audience left, and that’s a festival crowd). He returns to a Chinese period setting with his latest film (this time it’s the 8th century Tang Dynasty), so I’m not surprised to hear people criticise it for a certain coolness to its narrative exposition. For my own part, the period setting strikes me in the same way as, say, Shakespeare plays do: I’m not always exactly sure the historical importance of each of the characters, but I get the gist of what’s going on. Shu Qi plays the titular figure of Nie Yinniang, who is instructed by the nun who raised her to assassinate a corrupt government minister, Tian Ji’an (Chang Chen), but she finds it difficult to complete the mission when it transpires he is a cousin and former betrothed of hers. These are the broad brush strokes, but Hou fills in the rest with his cinematographer Mark Lee Ping Bin, using a gorgeous colour palette and elaborate costumes. Yinniang is often filmed through veils and obstructed by trees in outdoor settings, lurking in the background as Tian and his wife (Yun Zhou) hold court. I confess I probably need to see this film again to properly appreciate its artistry, but on a first viewing it certainly doesn’t disappoint. Unless, that is, one goes in hoping for a more action-packed genre-inflected wuxia.


NEW RELEASE FILM REVIEW
Director Hou Hsiao-Hsien | Writers Hou Hsiao-Hsien, Chu Tien-wen, Hsieh Hai-Meng and Zhong Acheng | Cinematographer Mark Lee Ping Bin | Starring Shu Qi, Chen Chang, Yun Zhou | Length 105 minutes || Seen at ICA, London, Tuesday 26 January 2016

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Xiyang Tianshi (So Close, 2002)


FILM REVIEW || Director Corey Yuen | Writer Jeffrey Lau | Cinematographer Kwok-Man Keung (as “Venus Keung”) | Starring Zhao Wei, Karen Mok, Shu Qi | Length 106 minutes | Seen at home (DVD), Sunday 10 November 2013 || My Rating 3 stars good


© Columbia Pictures

I suppose having plot-heavy action films is probably nothing new, but it seemed like something that really started to catch on after the success of 1996’s Mission: Impossible (incidentally, would that film be called a ‘reboot’ nowadays?). The Bourne films gave that kind of set-up a real-world torn-from-the-headlines spin, but in this Hong Kong film of 2002 the filmmakers’ plot maximalism is all in the service of very little more than diverting thrills. It does mean that it can be very difficult to figure just what’s going on, especially when there’s little compulsion to try and understand it. The point I suppose is to just go with it. At least one of the three female leads is going to end up on top, so the question is really just which.

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