Heremias: Unang aklat — Ang alamat ng prinsesang bayawak (Heremias: Book One — The Legend of the Lizard Princess, 2006)

Right, you probably all know this film is long: it’s Lav Diaz, and events will unfold as they will. Once you get over that — and the title which playfully suggests some kind of mystical/fantasy epic poem — the movement of time isn’t really an issue, and there’s necessarily a sort of documentary effect to the extreme length, as we watch our titular protagonist (Ronnie Lazaro) trudge along endless roads with a group of vendors selling their wares from ox-drawn carts. Heremias at length peels off on his own, and, at length, gets caught in a typhoon, from which he takes shelter. When he wakes, his cow has gone and his cart is burnt. By this point, we’re at around hour four and this is the mysterious crime he’s trying to unravel (after a fashion), but things go off track again and there’s a criminal conspiracy which reveals the limits of power in an autocratic society. So there are political themes (present in much of Diaz’s work that I’ve seen), and then there’s the repeated motif of roads stretching off across the landscape, into which (or from the horizon of which) Heremias trudges, seemingly endlessly. At great, great length.


SPECIAL SCREENING FILM REVIEW: Lav Diaz Journeys retrospective
Director/Writer Lav Diaz | Cinematographer Tamara Benitez | Starring Ronnie Lazaro, Sid Lucero | Length 510 minutes || Seen at London Gallery West, London, Friday 3 February 2017

LFF: Norte, hangganan ng kasaysayan (Norte, the End of History, 2013)


BFI London Film Festival 2013 FILM FESTIVAL FILM REVIEW: London Film Festival || Director Lav Diaz | Writers Lav Diaz and Rody Vera | Cinematographer Lauro Rene Manda | Starring Sid Lucero, Angeli Bayani, Archie Alemania | Length 250 minutes | Seen at BFI Southbank (Studio), London, Sunday 13 October 2013 || My Rating 3.5 stars very good


© Wacky O (production company)

It’s been a few days since I saw this epically long slow-burning Philippine drama, but it builds up over its length an uncanny quality that still resonates in my mind. Partially that’s to do with the running time. When your movie is as long as four hours or more, and made up of slow-paced quietly observant scenes, it creates a different way of watching, allowing one to relax into it (at least if it’s a good film, which this one is). As such, my star rating may not really do it justice, but that’s only because I’m still coming to grips with director Lav Diaz’s project here.

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