For an 18-rated film this is an odd experience, not least because it avoids entirely the kinds of things you expect in 18-rated Korean films. Largely that’s because most Korean films that get a Western release are horror movies or otherwise extreme depictions of violence and revenge. A Girl at My Door has plenty to offer that’s disturbing (why else would it have an 18) but it’s not due to body horror or violence, it’s more down to the basic stuff of human interrelationships. Young-nam (Doona Bae) arrives in a small coastal town to take up the post of police chief; the reason for her posting remains mysterious, though there’s a hint at some wrongdoing in her previous role. She takes a place near to where young girl Do-hee (Sae-ron Kim) lives, and witnesses the girl being terrorised by her drunken father (Sae-byeok Song) and grandmother, so she steps in, over time taking on an almost maternal role to Do-hee. It all ambles along in an unhurried way, building up a picture of this community and the various relationships within it, folding in immigrants working there illegally, a measure of racism, sexism and homophobia, all the familiar stuff of small town drama. The kicker is the child abuse allegations and this is where things get really complex, but there’s a hint this may be less an issue of pædophilia as pædophobia, and importing a real sense of unease to the situation. There are hints in the setting of something like Jane Campion’s Top of the Lake, but the character drama is much more internalised and controlled, with excellent performances from both of the leads.
Director/Writer July Jung 정주리; Cinematographer Kim Hyun-seok 김현석; Starring Bae Doona 배두나, Kim Sae-ron 김새론, Song Sae-byeok 송새벽; Length 119 minutes.
Seen at Picturehouse Central, London, Friday 25 September 2015.