Hamlet 2 (2008)

After my “Film Round-Up” posts of the last few months, I’m trying out another way to present shorter reviews of things I can’t bring myself to write up at greater length.


After a strong opening, this high school comedy about a washed-up drama teacher (Steve Coogan, playing American with middling effect) sort of peters out a bit. It’s a pity, because even if reminiscent of some of Rushmore‘s Max Fischer Players stagings, the film has the germs of a fine idea — that Shakespeare’s Hamlet can be improved upon and be inspiring to a new generation of students — but the film’s overall failure just reminds us how difficult comedy can be to get right. In the end, there are some good images that might suit an animated gif format (the “Rock Me Sexy Jesus” setpiece for example), but beyond that, probably best given a miss.


FILM REVIEW
Director Andrew Fleming | Writers Andrew Fleming and Pam Brady | Cinematographer Alexander Gruszynski | Starring Steve Coogan, Catherine Keener, Skylar Astin | Length 92 minutes || Seen at home (DVD), London, Tuesday 2 June 2015

Advertisements

Alan Partridge: Alpha Papa (2013)


NEW RELEASE FILM REVIEW || Director Declan Lowney | Writers Peter Baynham, Steve Coogan, Neil Gibbons, Rob Gibbons and Armando Iannucci | Cinematographer Ben Smithard | Starring Steve Coogan, Colm Meaney | Length 90 minutes | Seen at Cineworld Shaftesbury Avenue, London, Saturday 10 August 2013 || My Rating 3.5 stars very good


© Studio Canal

Steve Coogan has done a lot of fine acting work, particularly in the films of Michael Winterbottom (A Cock and Bull Story is my own favourite, though earlier this year was the underrated and less overtly comedic The Look of Love), but he remains most famous to British viewers for his character Alan Partridge, who’s had a number of radio and television series not to mention special appearances over the last two decades. The popularity of the character is such, in fact, that it’s prompted this film, though I’m just reciting what I’ve heard because I’d never seen any of these previous appearances (except for his segments on the wonderful The Day Today media satire). Luckily, the film is strong enough to stand on its own without any previous knowledge of his character.

Partridge is by this point a radio broadcaster in his local Norwich, though an erstwhile TV chat show host and before that a sports reporter, known for his terrible fashion sense (knitted sweaters, polo necks and the like), his penchant for bloated MOR rock, his retrogressive political views and most of all, an overweening ego. When the station is taken over and rebranded by a conglomerate named Shape, threatening layoffs, Partridge does all he can to ensure he does not lose his job (or more particularly, his access to whatever small remaining local celebrity he still retains), forcing fellow DJ Pat (played by Colm Meaney) into the firing line. This leads Pat to take the station and its management hostage, and Partridge is the go-between in the ensuing crisis.

There’s some of the same play with a nostalgic past that’s in the other big British comedy of this summer, The World’s End, and though the initial impulse is to laugh at the expense of Alan’s character, in truth there’s a lot of sadness at some of the changes that have occurred, not least those wrought by the rapacious corporate overlords Shape, who have forsaken community values in implementing a bland programming schedule on the radio station. We repeatedly get the sense that the community is behind Pat and Alan rather than the hostages, though that’s only ever around the edges; the filmmakers thankfully aren’t interested in jokes at the expense of the audience (whether the one in the film, or the one watching it).

Beyond this affectionate tribute to the kind of regional and local media that’s so often overlooked, there’s no really big theme to the film, and it’s competently put together. However, it’s consistently funny and sustains the laughs to the end; even the big emotional scenes aren’t played entirely straight, but you get the feeling that beneath the laughs there is a genuine sense of fondness for a disappearing strain of media personality. Steve Coogan may play the character, but the character seems to have his own existence by now.

The Look of Love (2013)


NEW RELEASE FILM REVIEW || Director Michael Winterbottom | Writer Matt Greenhalgh (based on the book Members Only: The Life and Times of Paul Raymond by Paul Willetts) | Cinematographer Hubert Taczanowski | Starring Steve Coogan, Imogen Poots, Tamsin Egerton, Anna Friel | Length 101 minutes | Seen at Cineworld Haymarket, London, Thursday 2 May 2013 || My Rating 3 stars good


© StudioCanal

It’s not much of a stretch to see Michael Winterbottom as a sort of British Steven Soderbergh, a filmmaker who has turned his hand to a huge range of different film projects over his career, which he churns out at a fearsome rate and which are always put together with verve and visual flair, despite sometimes being of uneven quality. While I found Soderbergh’s most recent film Side Effects (2013) at times overburdened itself with melodramatic twists, I might say that this film remains a bit too comfortable given its potential, though both films are excellent at telling their respective stories.

Continue reading “The Look of Love (2013)”