I’d never actually seen a Studio Ghibli film before, which seems like quite an oversight, especially given that this film by one of the studio’s founders, Isao Takahata, is so delightful. It uses a traditional folk tale about a bamboo cutter who chances across a mystical baby (and huge wealth) while out at work. The baby grows at a rapid rate, eventually being hailed as a princess and relocated by her now-avaricious father to the city. The film itself, for all its narrative incident, unfolds at a relaxed pace that allows for lengthy sequences such as the Princess choosing from her suitors. However, just as it has plenty of openness to its narrative structure, so the visual style has a beautifully balanced sense of space, with impressionistic use of watercolours and charcoal shading, which at times (such as a scene of the Princess running across the countryside) is pushed into an almost abstract dimension. There’s little attempt to restrain the story’s mythical qualities, such that the ending is surprisingly similar to that of 2001: A Space Odyssey, but as the expansive running time should suggest, this film is less about how the story is concluded as about the telling, which is immersive and yet meandering.
NEW RELEASE FILM REVIEW
Director Isao Takahata | Writers Isao Takahata and Riko Sakaguchi (based on the folk tale Taketori Monogatari) | Length 137 minutes || Seen at Cineworld West India Quay, London, Wednesday 25 March 2015