All Is Lost (2013)


NEW RELEASE FILM REVIEW || Director/Writer J.C. Chandor | Cinematographer Frank G. DeMarco | Starring Robert Redford | Length 100 minutes | Seen at Cineworld Chelsea, London, Thursday 26 December 2013 || My Rating 4 stars excellent


© Lionsgate

The end of the year, when people traditionally have more holiday time, always brings lots of interesting films to cinemas, which makes it difficult to compile a ‘best of’ before one has seen the whole year out. Here in the UK we have not yet had American Hustle (except in one West End London cinema) or The Wolf of Wall Street, and 12 Years a Slave has only been at the London Film Festival, but Boxing Day sees the release of this one-man acting effort from Robert Redford, albeit a few months after it was released Stateside. And it’s fair to say that it makes a strong contender for a year-end best list, despite its very stripped-down plot. It’s going after similar survival-against-the-odds territory that Gravity was aiming for, but at its best All Is Lost more successfully earns its obvious spiritual dimension. After all, it deals with the grandest of themes — the ones usually focused on in the liturgies of organised religions — which is to say, redemption through suffering, grace and salvation.

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Gravity (2013)


NEW RELEASE FILM REVIEW || Director Alfonso Cuarón | Writers Alfonso Cuarón and Jonás Cuarón | Cinematographer Emmanuel Lubezki | Starring Sandra Bullock, George Clooney | Length 90 minutes | Seen at Cineworld Enfield (IMAX 3D), London, Monday 18 November 2013 || My Rating 3.5 stars very good


© Warner Bros. Pictures

I can’t help but wonder if I’m maybe going through a bit of a fallow period with my film writing. There’s only so many reviews you can bang out in a week (and I’ve been posting every weekday for the last few months, pretty much) without it all feeling a bit same-y. Perhaps I’m unenthused by what’s on offer at the cinemas right now, or maybe it’s just an autumnal thing of feeling like getting out and doing more exercise. In any case, when I think about Gravity — and more specifically, when I think about all the hype around it, about all the reviews of it that I’ve read over the last couple of months (for it was on release around the rest of the world before it came to the UK) — I don’t really feel I have a whole lot new to add. Which isn’t to say I didn’t like it: that might actually be a new angle on it. No, it was great in several respects. You’ve probably seen it, and you may well agree. If you haven’t, it’s a disaster movie set in space and it focuses on two astronauts, Ryan (Sandra Bullock) and Matt (George Clooney).

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Captain Phillips (2013)


NEW RELEASE FILM REVIEW || Director Paul Greengrass | Writer Billy Ray (based on the book A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea by Richard Phillips and Stephan Talty) | Cinematographer Barry Ackroyd | Starring Tom Hanks, Barkhad Abdi | Length 134 minutes | Seen at Cineworld Wandsworth, London, Tuesday 5 November 2013 || My Rating 4 stars excellent


© Columbia Pictures

When I saw the trailer for this new movie many months ago, I have to say I was afraid it would be a triumphal story of an entitled white man single-handedly defeating the racial Other, though I perhaps didn’t take into account director Paul Greengrass’s involvement. As such, the end result is a movie that doesn’t follow the usual playbooks for this kind of story, and which engages with all its characters in a fair way. Greengrass after all has previous form with films based on real life events that take a sort of documentary aesthetic to their recreations: he gained early acclaim with made-for-TV docudramas before finding a bigger screen with Northern Ireland-set Bloody Sunday (2002) and most notably the gripping and claustrophobic United 93 (2006) about the 9/11 flight (not to mention that his forays into fiction in two Jason Bourne films have managed to retain this patina of realism). Therefore, it should have been no surprise that Captain Phillips is a tense and exciting thriller.

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