There’s a scene towards the end of this excoriating French-Canadian family melodrama in which Diane (Anne Dorval), the mother of the title — after a fashion, which I’ll explain later — imagines the possibilities for her tearaway teenage son Steve (Antoine Olivier Pilon) as he grows up. As a scene, it’s beautiful and uplifting, shot in a hazy nostalgic glow, and yet utterly heartbreaking, because it lands after about two hours of coming to grips with Steve and all his emotional problems, and by this point we realise that it’s an impossible dream.
Xavier Dolan, the director of Mommy is only in his mid-20s, but this is an utterly assured and properly cinematic film, filled with the kinds of juxtapositions and coups de théâtre that only the most accomplished of directors could pull off. It starts off with one such, as Diane’s car is sideswiped at a busy intersection, and the film doesn’t let go from then on. The square framing is another flourish, which almost seems to trap its characters, but at a key later moment it dramatically opens up, all too briefly, to suggest a hope that the film’s events don’t always bear out.
The film’s primary focus is on the home that Diane (“Die” for short) makes with her angry son, just returned from a stint in juvenile detention, and with their neighbour Kyla (Suzanne Clément) they form a mutually-supportive and slightly askew family unit. Diane is Steve’s mother, but the title refers to a piece of bling that Steve acquires for her — in a bravura scene that seems to vacillate moment to moment from tenderness to violence — naming a role that is as much in Steve’s imagination as within Diane’s ability. Certainly, Steve has what one might call ‘issues’ that are at times uncomfortably Oedipal, but for the most part the film is resolutely focused on the mother figure Diane, who starts out as a hectoring bully but ends up being a multi-faceted character that we genuinely feel warmth and understanding towards.
Mommy is one of the stand-out films I’ve seen so far this year. It heralds the further maturation of a prodigious cinematic talent, and is well worth checking out.
Director/Writer Xavier Dolan; Cinematographer André Turpin; Starring Anne Dorval, Antoine Olivier Pilon, Suzanne Clément; Length 138 minutes.
Seen at Hackney Picturehouse, London, Tuesday 24 March 2015.