Creed (2015)

I did not expect to begin 2016 loving a long-running franchise boxing movie, but in truth there have been plenty of excellent ones over the years (and, indeed, there’d been enough critical praise coming out of the US for Creed that I wasn’t entirely surprised). Still, what I think is most interesting about the film — and, like Straight Outta Compton, also what has undoubtedly been most overlooked by the prestigious awards ceremonies (you know the one) — is that this is a film that wants to engage with a specifically Black experience of the United States. Of course, that said, it’s a mainstream picture which cleaves to certain generic rules, so any anger or systemic critique is contained within a familiar and audience-pleasing narrative arc, focusing here on Adonis (or ‘Donnie’ to his friends, played by Michael B. Jordan, still most familiar to me from The Wire), the son of Stallone’s key antagonist Apollo Creed from early in the Rocky series. The film follows his life, from troubles as a disowned and abandoned kid, to growing up in affluence with the love of his stepmother, to reconnecting with something essential about his roots. In doing so, the film loops in a love interest in the form of Tessa Thompson’s musician Bianca (a character far more interesting and nuanced than the film really has time for, but excellently acted within those parameters), and of course Sylvester Stallone. His Rocky Balboa is the figurehead that every Rocky film is going to have to deal with, but the way he’s used here is masterful, as a mentor and coach, as a link to family and history (including film history, inevitably), but still very much supporting Jordan’s title character and his story. Along the way there’s some spectacular fight cinematography from veteran DoP Maryse Alberti, and it’s this interplay of lucid camerawork and tight plotting with solid acting that makes this one of the best sports movies of recent years.

Creed film posterCREDITS
Director Ryan Coogler; Writers Coogler and Aaron Covington; Cinematographer Maryse Alberti; Starring Michael B. Jordan, Sylvester Stallone, Tessa Thompson; Length 133 minutes.
Seen at Picturehouse Central, London, Sunday 17 January 2016.

Advertisements

May 2015 Film Viewing Round-Up

Herewith some brief thoughts about films I saw in May which I didn’t review in full. Find reviews for the following below the cut:

Aru Kyohaku (Intimidation) (1960, Japan)
Aventurera (1950, Mexico)
Belle Époque (1992, Spain)
The Expendables (2010, USA)
Hanna (2011, UK/USA/Germany)
Hit So Hard (2011, USA)
John Wick (2014, USA)
Mad Max: Fury Road (2015, Australia/USA)
Plemya (The Tribe) (2014, Ukraine/Netherlands)
Tomboy (2011, France)

Continue reading “May 2015 Film Viewing Round-Up”