Another film I’ve belatedly caught up with for my 2015 New Year’s Resolution (one of the co-writers is a woman), I must confess that I’m not familiar with the source material or either of the two previous films in the trilogy, so this is all a bit of a blur. However, it’s an attractively-mounted 19th century period film blur, awash with rich costume design and the swish of samurai swords. If anything, the film resists the lure of its comic-book origins to give in to a videogame or clip-show editing style, and instead essays an almost traditional filmic sense of the jidaigeki, the camera movements more calm than the frenzy of blades one might expect. That said, the heroes all have floppy fringes in the modern style, and beyond their matinee idol looks, I’m not entirely sure a lot more is going on. Still, it’s a good deal better than one might fear and if I just had an investment in the story, this might be a more attractive proposition.
Director Keishi Otomo 大友啓史; Writers Kiyomi Fujii 藤井清美 and Otomo (based on the manga るろうに剣心-明治剣客浪漫譚 Rurouni Kenshin by Nobuhiro Watsuki 西脇伸宏); Cinematographer Takuro Ishizaka 石坂拓郎; Starring Takeru Satoh 佐藤健; Length 135 minutes.
Seen at home (Blu-ray), London, Wednesday 30 December 2015.