Chalet Girl (2011)

Coasting through the dregs and ephemera that crop up on the various streaming services, a wealth of films with stars you may have heard of but which have more or less been forgotten to history (usually for good reason), leads you down some odd little alleyways. This one, for example, is a snowboarding romcom leaning heavily on the upstairs-downstairs dynamic between an ordinary girl just looking to make some money to help support her single-father family, and the plutocratic capitalists on their winter jollies who have their own Austrian ski chalet. It capitalises on the charm of its rising-star lead actor Felicity Jones (as the girl, Kim, who has a perfunctory background as a skateboarding prodigy), and the chiselled jaw of television leading man Ed Westwick (best known as cad Chuck Bass on Gossip Girl, playing not far from type as Johnny, the scion of wealth and privilege). It also rounds up some likeable supporting performances from Tamsin Egerton as posh ski instructor (or ‘chalet girl’) Georgie, and Bill Nighy as the (as always) likeable father of Johnny, as well as Bill Bailey and Brooke Shields for bonus WTF points. Everyone else in this refined society, though, is just a one-dimensional upper-class berk with few redeeming features (though I don’t take particular exception to that). The resulting film may be as light and powdery as the snow that settles on their Austrian mountain, but there’s plenty to like all the same, whether the winning acting, or the actually rather sharp and deftly-put together script by Tom Williams, someone I’d not previously heard about, but a strong enough effort to make me want to seek out other things he’s done. Certainly worthwhile if it’s late on a weekend evening, you’ve had a few drinks, and you want something to pleasantly pass the time.


FILM REVIEW
Director Phil Traill | Writer Tom Williams | Cinematographer Ed Wild | Starring Felicity Jones, Ed Westwick, Tamsin Egerton, Bill Nighy | Length 96 minutes || Seen at home (streaming), London, Saturday 25 July 2015

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The Look of Love (2013)


NEW RELEASE FILM REVIEW || Director Michael Winterbottom | Writer Matt Greenhalgh (based on the book Members Only: The Life and Times of Paul Raymond by Paul Willetts) | Cinematographer Hubert Taczanowski | Starring Steve Coogan, Imogen Poots, Tamsin Egerton, Anna Friel | Length 101 minutes | Seen at Cineworld Haymarket, London, Thursday 2 May 2013 || My Rating 3 stars good


© StudioCanal

It’s not much of a stretch to see Michael Winterbottom as a sort of British Steven Soderbergh, a filmmaker who has turned his hand to a huge range of different film projects over his career, which he churns out at a fearsome rate and which are always put together with verve and visual flair, despite sometimes being of uneven quality. While I found Soderbergh’s most recent film Side Effects (2013) at times overburdened itself with melodramatic twists, I might say that this film remains a bit too comfortable given its potential, though both films are excellent at telling their respective stories.

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