The BFI have been doing sterling work this past month putting on a retrospective of the works of Taiwanese director Hou Hsiao-hsien, so I took a chance to see this key early film of his. It bears many of the hallmarks of his mature directorial work, particularly his great masterpiece A City of Sadness (1989). Both films deal with the tumultuous political events affecting China’s relationship to Taiwan during the mid-20th century, refracting it through one family, though this earlier film is perhaps more attentive to the domestic drama. Undoubtedly there’s plenty happening behind the scenes, though its political commentary is more subtly done. It’s primarily a coming of age story dealing with Ah-ha (or Ah-hsiao, a stand-in for the filmmaker, played by Yu An-shun as he gets older), though the most dynamic presence within the family is the grandmother (Tang Ju-yun). She is convinced the family will be returning soon to the mainland, as evoked by the cheap wicker furniture the family have for their home, as they had always assumed their relocation would be temporary. It spans a couple of decades, as family members grow older and die, and deals in an almost deceptively calm way with the passage of time and of youth, as Ah-ha moves from studious child to rebellious teen.
RETROSPECTIVE FILM REVIEW: Hou Hsiao-hsien
Director Hou Hsiao-hsien | Writers Chu Tien-wen and Hou Hsiao-hsien | Cinematographer Mark Lee Ping-bin | Starring Yu An-shun, Tang Ju-yun | Length 138 minutes || Seen at BFI Southbank (NFT2), London, Friday 18 September 2015