A Filipino film set in the southern, more contested, part of the country, around the second-largest island of Mindanao. This is a personal documentary that looks at the conflicts from one woman’s point of view, and that of her family, and deals with interfaith marriage.
A personal essay film about the filmmaker’s family in Mindanao (an area also known as the Southern Philippines), this uses family history as a way to represent and interrogate ideas about the past, not least a long-running conflict ostensibly between Christian and Islamic populations in the area. Mindanao isn’t much represented in mainstream cinema, so it’s good to see some attention paid to the area and its people and histories. Certainly, the filmmaker’s family are sceptical about this idea of religious conflict, given that many members of their family have intermarried, and that becomes a theme that moves through the film, of understanding political turbulence through personal connections, and the film eschews any editorial contextualising of the conflict, aside from occasional snippets of television news. Technically, there are some messy edges to the filmmaking (a lot of shaky handheld shots), but it captures a lot of beauty of the region, and there’s an abiding mystery at the film’s heart.
Director/Writer Adjani Guerrero Arumpac; Cinematographers Arumpac and Victor Delotavo Tagaro; Length 74 minutes.
Seen at Genesis, London, Monday 15 April 2019.