Gurinder Chadha is the director most famous for Bend It Like Beckham (2002), though she made a splash with her first film Bhaji on the Beach (1993). She’s a British filmmaker, born in a British colony (as Kenya was) and who has lived in London for almost the entirety of her life, and is particularly good at locating stories of characters with South-East Asian backgrounds within a diverse cultural milieu that never feels suffocatingly white (as it sometimes can in other middle-class middle-brow British films). That said, of course, racism is a persistent issue in the background of her stories, and we still see those who are intent on denying the multi-ethnic nature of British society, like the skinheads in this latest film.
It’s rare to see a film this earnest and dorky, but it’s honestly very hard to take against it, however much I found it teeth-grittingly cheesy at times. The thing is, it takes its premise — the real life story of Javed (Viveik Kalra, based on the screenwriter Sarfraz Manzoor), a young Pakistani kid growing up in Luton discovering the music of Bruce Springsteen and finding connections to his own life — and plays it completely straight, without laughing at it or making jokes (though people certainly make fun of him). The first act sets up 1987 school life, complete with British versions of the classic American high school cliques, dominated by the sounds of the post-punk synth-based new romanticism of the mid- to late-80s, such that when our protagonist is handed some Bruce cassettes and starts listening to them, the music is quite different from what we’ve heard thus far. It even puts the lyrics up on screen to emphasise the effect, as he runs through a storm to the sounds of “The Promised Land” with back-projections on the council house walls: this is Gurinder Chadha’s version of total cinema, undoubtedly. It sorta works too, though I think I’d find it even more affecting to watch this on a plane, or on the couch when sick (that’s not a diss; it’s just one of those kinds of films, really comforting at a base soul level). The standout actor here turns out to be Javed’s Sikh best friend Roops (Aaron Phagura), who turns him onto Bruce, and whom I’d have been pleased to see a lot more of.
Director Gurinder Chadha; Writers Paul Mayeda Berges, Chadha and Sarfraz Manzoor (based on his memoir Greeting from Bury Park); Cinematographer Ben Smithard; Starring Viveik Kalra, Aaron Phagura, Hayley Atwell; Length 117 minutes.
Seen at Odeon Holloway, London, Tuesday 13 August 2019.