I’ve seen this film before apparently, but I really don’t recall it, which is odd. Visually, it builds on Wajda’s previous two films, particularly Kanal (1957), only deepening and enriching its monochrome tones, and setting up some beautiful and striking deep focus shots. It really is something to look at, helped along by Zbigniew Cybulski’s Maciek in his dark glasses. I don’t see him as particularly glamorous or attractive, though he has a certain screen appeal, and his work on behalf of the Communist underground in assassinating political opponents is hardly endearing either, but that’s the drama of the film. It all whirls by with a lightness of touch that recalls Renoir’s La Règle du jeu without perhaps the sense of absurdity (or without quite the same level of absurdity, because there’s certainly at least some humour at work here). It’s a film, a trilogy indeed, about the legacy of World War II in Poland, and as such these films by Wajda had a huge impact on the development of Polish filmmaking, somewhat akin to the French New Wave. I wanted to like this a lot more than I did, but it’s certainly a fine work.
FILM REVIEW: Criterion Collection
Director Andrzej Wajda; Writers Jerzy Andrzejewski and Wajda (based on the novel by Andrzejewski); Cinematographer Jerzy Wójcik; Starring Zbigniew Cybulski, Ewa Krzyżewska, Wacław Zastrzeżyński; Length 103 minutes.
Seen at National Library, Wellington, Wednesday 3 April 2002 (and most recently on DVD at home, London, Monday 6 January 2020).