Criterion Sunday 214: The Devil and Daniel Webster (aka All That Money Can Buy, 1941)

I was not enthused upon the prospect of watching this Criterion release, but its merits grew on me. It’s a moral fable, taken from the story of Faust, and like other tales of wealth coming to the wrong people (I’m thinking of Barry Lyndon myself), its central character is in some ways the weakest, with Jabez Stone being an insufferable weed of a man who sells his soul to the devil (consarn it!) and finds himself the recipient of untold wealth. It’s interesting though in the way it moralises about the responsibilities of wealth, siding it seems against capitalist exploitation (surely the natural mode of the American industrialist), this perhaps one of the surprising ways in which the wartime mood shifted people’s interests towards the common good. It all has the sheen of a fine picture, with some nice supporting performances, but it’s the film’s strong moral convictions that carries it through.


FILM REVIEW: Criterion Collection
Director William Dieterle | Writer Dan Totheroh and Stephen Vincent Benét (based on the short story by Benét) | Cinematographer Joseph H. August | Starring James Craig, Anne Shirley, Edward Arnold, Walter Huston | Length 107 minutes || Seen at a friend’s home (DVD), London, Sunday 15 April 2018

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Gabriel Over the White House (1933)

A lot of the more prominent films that Hollywood made at the outset of the sound era, before the enforcement of the Production Code, dealt with such outré topics as sexuality and violence. These are the ones that still grab the column inches, whether it’s the amoral bloodshed of Scarface (1932) or the sexual liberation of Baby Face (1933). However, Gabriel Over the White House manages to be an equally outrageous film without any of these more saleable elements, but instead uses the allure of autocracy to transform its vision of America. In his Roosevelt-like reforming zeal, the President played here by Walter Huston looks brazenly towards dictatorship to push through the necessary reforms following years of Depression. It’s the kind of plot outline that reads like satire, but presented here as divine inspiration (hence the title), the film seems totally onboard with the proposed ideas, as the President bypasses Congress to push through his bold measures. That said, it’s a patchy piece of filmmaking and modern audiences will struggle to take it as seriously as the filmmakers, but then we have the benefit of hindsight.


© Metro-Goldwyn-Mayer

SPECIAL SCREENING FILM REVIEW
Director Gregory La Cava | Writer Carey Wilson (based on the novel Rinehard by Thomas Frederic Tweed) | Cinematographer Bert Glennon | Starring Walter Huston, Karen Morley, Franchot Tone | Length 86 minutes || Seen at BFI Southbank (NFT1), London, Friday 23 May 2014

My Rating 3 stars good