Thinking back on it, it’s difficult to sum up what the plot of this film is exactly, but made in a break from filming his grandiose epic folly Ashes of Time, it’s fair to say that Wong Kar-wai is going for a looser feel here, two stories of people passing by one another in a busy city, barely enough time to make a connection that’s lasting. Thinking back to when I saw it several decades ago, my abiding memory is its heavy use of the song “California Dreamin'” but watching again it’s not in it all that much and just in the second story, certainly not to Godardian levels of replaying snippets of music, though you get the sense that Godard’s New Wave work is one of Wong’s touchstones. But there’s both a denseness to the imagery — of a crowded city, of colourful lights and rain-slicked streets, of bustling shopping streets and little food stands — but also a lightness to the tone, with two flirtatious stories that touch on crime (because in the first, Brigitte Lin is engaged in drug dealing and kills those who double-crossed her, though the second just features Tony Leung as a cop stopping by for food on his downtime near where he lives) but really are about the feelings of the central characters in each, Takeshi Kaneshiro (also apparently a cop though we don’t see him in uniform like Leung) and the mesmeric Faye Wong who takes a job at a snack bar and, yes, plays that Mamas and the Papas song a lot. There’s an oneiric sense to Chris Doyle’s camerawork and a sense of fleetingness to each story, as if these characters will soon disappear into Hong Kong’s bustle never to be seen again, and indeed they seem to do that. It’s a very film-y film ultimately, but grounded in a very specific place and time — in many ways, to me, it is the apex of 90s filmmaking.
FILM REVIEW: Criterion Collection
Director/Writer Wong Kar-wai 王家衛; Cinematographers Christopher Doyle and Andrew Lau 劉偉強; Starring Faye Wong 王菲, Tony Leung [Chiu-Wai] 梁朝偉, Takeshi Kaneshiro 金城武, Brigitte Lin 林青霞; Length 102 minutes.
Seen at home (Blu-ray), Wellington, Wednesday 11 August 2021 (and earlier on VHS at home, Wellington, December 1997).