World War Z (2013)


NEW RELEASE FILM REVIEW || Director Marc Forster | Writers Matthew Michael Carnahan, Drew Goddard, Damon Lindelof and J. Michael Straczynski (based on the novel by Max Brooks) | Cinematographer Ben Seresin | Starring Brad Pitt, Daniella Kertesz, Mireille Enos | Length 116 minutes | Seen at Cineworld Shaftesbury Avenue [3D], London, Wednesday 3 July 2013 || My Rating 3 stars good


© Paramount Pictures

It’s fair to say I went into this without high hopes. I was aware of some of the fraught production history, though primarily from having read a few reviews beforehand. Yet I like Brad Pitt as an actor, and in the end really enjoyed this tense and gripping thriller about a zombie apocalypse.

It has limitations obviously. For a start, it’s probably best to think of it as a film about a catastrophic viral outbreak, with the zombies being a sort of convenient writers’ short-hand for something Very Bad that is nevertheless Obviously Fictional. I don’t think these zombies share much in common with other cinematic and fictional zombies: they’re in essence just monsters (quick, lethal, dangerous). As an outbreak that needs to be contained, the hopes of (yes) all humanity are basically on the shoulders of Brad Pitt’s former UN investigator Gerry, whose singular ability to spot the zombies’ weaknesses is surely only explicable because the numbers of intelligent people have been so depleted — mostly it’s just military types remaining, with the odd civilian like Gerry who’s been whisked to the safety of a convoy of ships in the Atlantic.

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Warm Bodies (2013)


NEW RELEASE FILM REVIEW || Director/Writer Jonathan Levine (based on the novel by Isaac Marion) | Cinematographer Javier Aguirresarobe | Starring Nicholas Hoult, Teresa Palmer, Rob Corddry | Length 97 minutes | Seen at Cineworld Wood Green, London, Wednesday 27 February 2013 || My Rating 3 stars good


© Summit Entertainment

I must confess that I’ve never been a huge fan of the fairly prolific subgenre of zombie movies, though partly that’s because I’ve never been a huge fan of the horror genre. Blah blah metaphor for problems afflicting humanity, blah blah hollow dead-eyed malaise infecting Western culture (or some variant thereof). And here again, we have a future world that’s an extrapolation of our own, and most people are zombies roaming the hinterlands except for the brave rebels holding out in their fortified city. There’s no explanation for it, but there’s the strong implication right away that we’re in a Starship Troopers-like world where the ‘real’ humans are actually the callous amoral ones, and as for the zombies, their only crime is essentially being apathetic. Well, except for the really bad zombies, the ones that are too far gone. But for the rest of them, the premise here is that they can be rescued. By love.

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