Upon the UK cinematic release today of comedy-drama Brittany Runs a Marathon, I’ve been looking back at this popular hybrid generic form, and wanted to finish with one of the best American examples of the past year, which deftly blends a pathos-filled dramatic story of a writer hitting the bottom with clear comedy notes (impossible to avoid with Melissa McCarthy and Richard E. Grant as your leads), with a side of criminal capers.
What I’ve enjoyed most about both of Marielle Heller’s films as director (she also made 2015’s The Diary of a Teenage Girl) is the empathy and humanity she affords to people who are, pretty clearly, quite bitter and caustic people — the sense that maybe the way they are has been shaped by their environment and their struggles with depression, and that maybe they’re not fundamentally bad people. Melissa McCarthy’s washed-up novelist Lee Israel (and as with Destroyer, I’m reminded this is a generic archetype more usually played by grizzled older men) may be getting involved in criminality but it all seems so very low stakes after a fashion, and she shows apparent creativity in the process of pastiching various authors’ personal style. McCarthy is excellent at getting into this shuffling, self-loathing character, but for me the film is made by Richard E. Grant and Dolly Wells in the supporting performances, not to mention the other wonderfully weary bookshop owners who just have such a genuine thrill at these almost-forgotten names from a more literate past. Grant seems to be largely reprising his Withnail performance, with the hindsight of age and mortality, and (notwithstanding the very late and unconvincing swerve into AIDS themes) it’s an act that works beautifully. Dolly Wells’ Anna may be even more heartbreaking in the way she wants to but is unable to connect with Israel. Overall, and despite its embittered central character, the film just oozes with warmth, and a strange glow cast by antiquarian bookshops and squalid NYC apartments.
Director Marielle Heller; Writers Nicole Holofcener and Jeff Whitty (based on the memoir by Lee Israel); Cinematographer Brandon Trost; Starring Melissa McCarthy, Richard E. Grant, Dolly Wells, Jane Curtin; Length 107 minutes.
Seen at Curzon Soho, London, Monday 4 February 2019.