A fiction feature debut film for its Algerian French director, and a fine one at that, is Papicha, whose title is taken from an Algerian French phrase used about a young woman, and its star Lyna Khoudri is clearly destined for great things (I believe she already has a role in the latest Wes Anderson film The French Dispatch, though who knows when that’s going to get a release). This is a fine film, though it rather takes aim at Islamic fundamentalism in a fairly direct way.
There are a number of recent French co-productions that deal with religious intolerance in traditionally patriarchal societies; I think of the Turkish-French film Mustang as perhaps the most notable example, and perhaps closest to this one. In each case, the filmmaking is strong and the performances the director gets from her (in this case) French-Algerian cast, constantly switching between Arabic and French in their scenes, are really believable. The setting is the Algerian Civil War of the late-1990s, and a creeping Islamic fundamentalism that expresses itself particularly (as these things seem to do) in restricting the liberties afforded to women. And so we have aspiring fashion student Nedjma (the riveting Lyna Khoudri), who really wants to put on a fashion show and really doesn’t want to put on the hijab, negotiating the way these social standards seem to be evolving at a breakneck pace around her and her friends, all of whom are students at the university at a time when learning itself is under threat. I do wonder a little at a French-funded film dealing with hijab as such a central issue, given that country’s own views on the practice, but the drama as presented here is galvanising and, very swiftly, rather traumatic in the way that it unfolds. Nedjma has no desire to leave Algeria, but at the same time the conflicts taking place at this period (which were already apparently winding down by the late-1990s) put her and her friends’ lives in danger just for the freedoms that they take for granted. Like Mustang it harnesses a lot of the same female ensemble energy, though the camera here often stays far closer in to its protagonists, who move about in a blur at times. It’s a fine film, and one that suggests promise for her feature directing career, and especially for its standout star.
Director/Writer Mounia Meddour مونيا مدور; Cinematographer Léo Lefèvre; Starring Lyna Khoudri لينا خودري, Shirine Boutella شرين بوتيلا, Amira Hilda Douaouda, Marwan Zeghbib مروان زغبيب; Length 107 minutes.
Seen at Curzon Bloomsbury, London, Saturday 8 August 2020.